This abstraction of a granite formation was made just west of Petrel Cove when I was on a poodlewalk with Kayla in the early morning:
I was working nearby on a series of salt abstractions at the time--mid February 2019--and I saw this rock formation.
Another image in the sea abstraction series that emerges from my daily walks along the coast of the southern Fleurieu Peninsula:
This was made in the summer of 2018 whilst on an afternoon poodlewalk with Maleko. I recall that I got very wet as a large wave swept over my feet and legs.
Below is the converted black and white version of the digital file:
There is not that much difference between these two interpretations.
As can be seen from the earlier images in this series---- here, here, here and here--- I do struggle with this series. Their emergence from my daily walks indicates that these abstractions reject the common view that abstraction is a withdrawal from the modern world, almost a safe house for art. Maybe this series refers to chance---standing on the rocks amongst the swirling sea waiting for the formation of a visual form/image?
This abstract photo was made in January 2019 whilst I was on a coastal poodlewalk along the southern Fleurieu Peninsula with Kayla. The picture or image was made in the early morning near from Petrel Cove in the summer light.
The word 'image’ often gets tied to the arbitrariness entailed in individual perception and opposed to the external solidity associated in the vocabulary of ordinary language philosophy with the ‘picture’. Susan Sontag held that images don’t tell us anything, they remind us what is important. This implies that the ‘image’ as a type of inner perception, or mental idea, impression or memory.
This can be interpreted along the lines that an image that exerts a hold and that lives beyond its medium presupposes an agent who is engaged by it, i.e., who finds it meaningful or significant. An image is a sensuous experience of meaning that organises a world. It possesses a communicative force that is surplus to its perceptible form.
This abstraction was made at the bottom of the western edge of Kings Head, Waitpinga. It is almost to the point. It was made whilst I was on an afternoon poodlewalk in January, 2018:
At the time I was struck by the light across the face of the granite as well as the complexity of the shape of the granite formation. The picture was made with a digital camera, and it was a study for a possible large format b+w photo. I've never been back to do the b+w photo session as the Sinar f1 camera wasn't ready.
This was made on an early morning poodlewalk with Kayla whilst we were slowly making our way to the Petrel Cove car park:
The touch of sunlight playing across the front of the granite caught my eye.
This abstraction was made on an early morning poodlewalk with Kayla
I just happened to see it whilst working on a still life nearby.
Made on an early morning poodlewalk:
It was made whilst I was on my way to a 5x4 photo session further west along the coast prior to going to the Lake Boga photo camp for the Mallee Routes project.
This picture was made with the newly acquired Sony A7r111 digital camera whilst I was on a poodlewalk to the foot of the Newland Heads in Waitpinga:
These little salt ponds are very ephemeral. They are there one day, gone the next.
This abstraction of the bark of a eucalyptus tree was made whilst we were on the way to the beach at Encounter Bay in Victor Harbor:
The bark is in the reserve opposite Encounter Studio. We have planted most of the trees in the reserve over the years.
This picture was made whilst on an early morning poodlewalk with Kayla:
It is amongst series of rocks that mark the end of Dep's Beach.