I am reading this text on Deleuze and abstraction by Brent Adkins as part of trying to understand how different people conceptualize abstraction. This is normally seen in terms of a removal, a paring away, a purification. It is an abstraction from something.

Deleuze has an idiosyncratic view of the abstract, which compared to that of Clement Greenberg or  Peter Wolin   or Hegel.  Whereas Hegel (and people generally) think of the abstract in opposition to the concrete, Deleuze thinks of the abstract in opposition to the discrete.  Deleuze  views abstract art as being abstract because it  produces sensations  not  representations. Sensations are defined as percepts (new ways of seeing or construing ) and affects (new ways of feeling). 

Affects are associated with intensity (or the tendency towards change) and  not extensivity (or the movement towards stasis). Abstract is one of the ways that Deleuze thinks through intensity. For Deleuze the abstract is true lived experience. Abstract lived experience is linked to the tendency toward change (the concrete) as opposed to the tendency toward stasis (the discrete).

 Deleuze held that the key to change is to challenge the major conception of the canon and its dogmatic image of thought. Artists think in terms of percepts and affects rather than the concepts that philosophers think in. Photographers think in terms of images, line, form and colour to create something new--a becoming: what Nietzsche called the untimely. 

In the art institution the new is structured in terms of  a linear progress as a before and after. The temporal schema is a before abstraction and an after with the before--realism---  seen as  negative and modernist abstraction  seen as a new enlightened era.  However,  it is more accurate to see realism and abstraction as co-existing with different layers of strata  that are full of dramatic breaks, ruptures in these layers; stopping points, rifts, shafts, with their multifarious interactions.  Photography in creating something new can be seen as a bringing together of disparate   elements  or lines that cross cut its history without being confused with it or being stifled by  its conformity. 

The background and the context of this digital abstraction  can be found in this post on the Encounter Studio  photo blog. The image, which   is another fragment in the abstraction series, delights in colour. 

A digital image  poses a problem:  Is the  digital work  its file, encoded and encrypted and clearly mathematical, or is it  a fulfilled, material expression of that file?  Or is it both of these? The key is the integration of  photography into the network milieu with the emergence of new practices for circulating and archiving everyday images (eg., on Flickr). The  makes the photograph's   condition one in which the image increasingly functions as a form of data regulated by statistical/algorithmical processes.

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This is an abstraction of a piece of driftwood lying on the Esplanade Beach at Victor Harbor.

I came across it on a recent  early morning  poodlewalk  with Kayla. 

This abstraction was made whilst I was on an early morning   poodlewalk   with Kayla:

It was  early in the summer of 2019 (mid-January) as the early morning light was on  the granite  rock face.

Made whilst I was on an late afternoon  poodlewalk   with Maleko:

It was in mid-winter when the photo was made.  

This macro quartz abstract was made towards  the  end of the 2019 winter whilst I was on an afternoon  poodlewalk with Maleko.  It was made  on a calm day inbetween the various wild storms that battered the coast. 

Some earlier quartz abstractions  can be found here and here and here. This is one that I published in my  Flickr stream. 

This abstraction was made on an early morning poodlewalk  with Kayla during the late summer of 2019

I have never been able to find the site since. I do know the rough area in which this granite is located--its just west of Petrel Cove-- but I cannot find the detailed site amongst the different granite formations in the area.   

Another in the  quartz and lichen abstraction series: 

This quartz and lichen formation  is amongst the  coastal granite  rocks near Kings Beach Rd in Waitpinga, walking east towards Petrel Cove.  

Another in the salt abstract series:

These salt ponds are very ephemeral. They only appear during the hot weather when the heat of the  summer sun dries out the various rocks pools after a  high tide. 

This abstraction of a granite  formation was made just west of  Petrel Cove when I was on a poodlewalk with Kayla in the early morning:

 I was working   nearby on a series of salt abstractions at the time--mid February 2019--and I  saw this rock formation.